Katarina Petrović (1986)
Negative October Salon: Overtime Boycott
text, software, webpage, video loop
2022
Negative October Salon: Overtime Boycott is a work developed in the context of the 59th October Salon. The work presents a negative version of the announcement and introductory text of the first October Salon that opened in Belgrade on October 20, 1960. Using software specially written to translate texts into negative, the text is computer generated and then minimally edited by the artist.
All negative translations can be viewed as a vector space, where the zero point of that space is the word or phrase we want to translate. In other words, the way we translate a certain word into a negative depends on which direction we want to go and which aspect of its meaning we want to negate. In this work, October is negated into overtime based on the vector of time that is delimited – to the month or to paid/unpaid work. Similarly, the salon is negated on the basis of the gathering vector, so its negative becomes – boycott. Boycott as a sign of rejection and withdrawal from commercial or social relations in a communal or individual act, is opposed to a salon whose purpose is gathering for entertainment, knowledge exchange and/or socio-commercial benefit.
Negative poetry is part of the ongoing, interdisciplinary research into cosmogony (that is, the theory of creation). Conceived as a linguistic experiment and algorithm for machines and humans, the project explores the possibility of approaching zero (the point of origin) through the mathematical operation of cancellation and the concept of negation in natural language. Project collaboration and software development: Miloš Grujić. Supported by the Oxford English Dictionary via researchers access.
© Cultural Centrе of Belgrade, October Salon and the Artist Collection
Purchase Contract: III-30-205/23.10.2023.
Inventory no: 189
Photo: Nemanja Knežević, the installation view of the 59th October Salon, still from the video work
ABOUT THE AUTHOR:
Katarina Petrović is an artist and researcher working at the intersection of art, science and technology. By focusing on generative processes in language and nature, she creates works in the form of modular installations in online and offline space, using media such as generative text, poetry, sound, software and performance.
She holds a MMus degree from ArtScience Interfaculty, Royal Conservatoire and Royal Academy of Arts, The Hague and an MFA from the Academy of Fine Arts, Belgrade. In 2019 she was the winner of D. B. Mangelos award. Katarina is a member and chair of the board of the art space Trixie in The Hague, a researcher affiliated with the trans-disciplinary research centre Leo Apostel and a guest lecturer at the postgraduate School of Thinking in Brussels and ArtScience Interfaculty in The Hague. Lives and works between Belgrade and The Hague.